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Chair cover of red k'ossu , of the same color and design as 42.8.198, and the mate to it.

Chair Cover, Kangxi period, 1662-1722

China

Not on View
rug, Oriental; beige background, blue and white geometrical designs; eleven borders, missing end borders; rare; condition poor, very worn, per Alice Best Rogers

Oriental rug, 19th century

Turkey

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Mat, Samarkand type, small, with one large floral medallion in center and a smaller one below it. Gold field scattered with flowers in profile and stiff vines. Three borders, the outer one plain red, the inner ones carrying the Greek meander on red grounds. Two guard stripes, one black and one pale blue separate the borders. Side sovercast in red wool; one end finished with short web and twisted warp fringe. The other has a short fringe of warp threads. Warp cotton; woof cotton. Senna knot.

Mat, 19th century

Turkey

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3 vertical bands (2 tan bands flanking a maroon band) separated by blue, red and white plaid stripe; floral sprays in blue, pink, green, yellow and white in bands

Shawl fragment, 19th century

Iran

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Geometric designs in brown, white, rust, blue, orange, green pink and red; background of central section in white with background in border in brown; 2 pieces sewn together lengthwise

Kilim, 18th century

Turkey

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3 separate textile fragments cut on the diagonal from UL to LR; vertical bands of alternating white and maroon; geometric designs in black, red and blue on white band; floral sprays in white, blue, yellow, green and orange on maroon bands. Woven fabric

Bias Cut Fragments, 19th century

Iran

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continuous weft patterning; variations on diamond patterns in black, red and natural ecru

Ceremonial Shawl, 20th century

Myanmar (Burma)

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light brown vertical stripes with light gold horizontal checkerboard-like patterns; joining seam is flat felled seam

Man's Longyi, mid 20th century

Myanmar (Burma)

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sash-like garment with fringe on short ends; red, black, yellow and turquoise; geometric design with stripes and X's

Shawl, 20th century

Chakma

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warp face, dark brown with beige stripes running the length; thin lines of color in beige stripes

Women's skirt, 20th century

Tang Khul Naga

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sleeveless, with V-neck in front and back; blue body with stripes at sides and center in rust, yellow and green; geometric designs at hem

Woman's Blouse, 20th century

Kachin

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warp face, plain weave; red with black edges through length; two white stripes run the length dividing the design into thirds

Woman's skirt, 20th century

Tang Khul Naga

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warp face, plain weave with some embroidery; four black stripes run the length on a beige ground; brown and black patterned edge; black/red diamonds in center

Woman's wrapper, 20th century

Tang Khul Naga

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brocade; white with four blue stripes running through the length with six sections of brocade design, perpendicular to blue stripes; fringe on one end

Woman's wrapper, 20th century

Tangkhul Naga

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four black stripes run the length near edges; central portion light beige with six small designs, scattered

Woman's wrapper, c. 1975

Naga

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Twill weave with horizontal striae. Natural Natural Twill

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Haitian Primitive Twill, 1972

Larsen Design Studio, New York; Mill: Artisanat Haitien de Tissage Manuel S.A.; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain handwoven heavy silk dual. Olive green. Eucalyptus

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Jim Thompson

Shan, 1971-1990

Jim Thompson; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
Handwoven horiz. 2" wide stripes Red & black. Poinsettia

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Dona Raquel Vivas

Doria Stripe, 1971-1986

Dona Raquel Vivas; Mill: Penaranda; Producer: Jack Lenor Larsen, Inc.

Not on View
vertical pattern, black and linen color stripes; complex flat weave; ends machine overcast; finished by company as display panel

%C2%A9 Nuno Corporation %2F Basho 80 Stripe%2C Reiko Sudo%2C 1987

Basho 80 Stripe, 1987

SudĹŤ Reiko; Manufacturer: Nuno Corporation

Not on View
two layered weaves sliced apart unevenly to create an edgy counter grain look; black velvet with blue serged ends

%C2%A9 Nuno Corporation %2F Nervous Velvet%2C Reiko Sudo%2C 1992

Nervous Velvet, 1992

SudĹŤ Reiko; Manufacturer: Nuno Corporation

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backrest and arm of a dark brown Queen Anne style chair in LRQ; golden-yellow wall; window with grey colored panes

%C2%A91974 Helena Hernmarck

Chair, from Lunning Farm Triptych, 1974

Helena Hernmarck

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weave type (?) red ground with lozenge pattern throughout; 2 vertical bands of brown with 3/4 in. patterning down center and heavier patterning at top and bottom

Panel, 20th century

Myanmar (Burma)

Not on View
Llacolla, alpaca, silk Bolivia, Bolivar region, 19th century; brown monochrome rectangular cloth

Llacolla, 19th century

Bolivia

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white two-paneled cotton pants, woven; white cotton drawstring

Man's Pants, c. 1980

Tzotzil Maya

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red striped, with stripes in purple, dark and light green, blue and light blue, yellow, orange, peach, pink and indigo blue with ikat designs; sleeves, cuffs and collar woven apart and sewn to main body

Saint's Shirt, c. 1975-1980

Maya

Not on View
Striped sash with 4 selvedge ends; purple, green, blue warp stripes, all of them with small white warp stripes simulating a checkerboard effect; multicolored stripes are intercepted with red stripes.

Man's sash (Faja), c. 1965

Kaqchikel Maya

Not on View
four panels joined to form skirt; alternating bands of varying colors red, yellow, blue, red, green, pink and white and varying band widths; panels not lined up to match pattern on each

Skirt, 20th century

Tibet

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loosely woven plain weave of tan linen with integrated warp-twined strands of wool, in blues, cream and greens

%C2%A9 Nobuko Kajitani

Length, 1969

Kajitani Nobuko

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panel with three sides which have fringe; pile design, criss-cross pattern at angles, full border around design at two adjoining sides, third longer side has thin partial border; reddish coloring in central field, cinnabar. Surface ornamentation (Dyed)

Panel, 20th century

Democratic Republic of Congo

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Square shawl, patchwork, of hand-loom woven pieces with inserted scrolls of black and white and river design in border. Field carries pattern of large cones and arabesques converging on the shaped central panel. Inner border has running flower and leaf design. Outer border embroidered. Fringed edges. #9 in Exhibition.

Shawl, 19th century

India

Not on View
medium blue scarf with purple and light blue mixed in; fringe on each short side; wrap-spun with rayon which was chemically removed. Woven fabric

%C2%A9 Yoshitaka Yanagi

Scarf, c. 1960

Yoshitaka Yanagi

Not on View
olive green, purple, maroon, tan and white stripes of various widths; plain weave

%C2%A9 Olga de Amaral

Pillow, 1990

Olga de Amaral

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1/2 purple plaid and 1/2 green plaid against tan ground; chenille

%C2%A9 Olga de Amaral

Pillow, c. 1990

Olga de Amaral

Not on View

Shawl, mid 19th century

France

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Priest Robe, mulberry and gold brocade with four small squares of light blue and gold brocade set in.

Buddhist priest's robe (kesa), 18th century

Unknown Japanese

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2 strips sewn together; overall design of central black rectangle bordered with solid pink at top and bottom and variegated pink, black and tan stripes at short ends

Woman's shawl, 20th century

Hazara

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paisley shawl; embroidered on fine wool in shades of blue with red, green, and yellow; plain center

Shawl, 19th century

Scotland

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Altar apron; made of two pieces, bottom piece cut dark red velvet with large dragon in center; top, cut dark blue velvet background with dragon and geometric border.

Altar Apron, 1368-1644

China

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beige silk pants with drawstring; go with tunic (97.189.55)

Pants, 20th century

India

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5 horizontal bands with multicolored woven geometric designs; alternating black and pink stripes on back; twisted white, pink and black threads form tassels with beaded ends at corners for tying

Breast cloth, 20th century

Khami or Mru

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woven fabric; open weave in geometric motif; natural, orange, green, yellow, white

Shirt fabric, early 20th century

Indonesia

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Panel of mustard yellow cut and uncut velvet brocade of armorial and rampant lion design, edged with gold braid and bordered with plain mustard yellow velvet.

Panel, 17th century

Spain

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orange silk pants; go with tunic (97.189.53)

Pants, c. 1920

India

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Rug, large, with magenta field on which are naturalistically drawn animals, and variations of the Shah Abbas design. The Shah Abbas pattern is also used in the main border stripe which has an ivory ground. Ends finished with a web doubled under and overcast. Sides have an added selvedge. Thick pile. Senna knot.

Rug, 19th-20th century

Iran

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woven fabric; stripes of abstract, geometric floral motifs alternating blue, white, red, rust and orange grounds; patterns in same colors plus orange, ocher; cording on corners

Ajemi (sash), 1895-1900

Iran

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one half coverlet of white linen threads and blue and white squares in center and wavy lines for border.

Coverlet fragment, 19th century

United States

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silk, gray, orange and white floral and meandering lace patterns

Panel, c. 1755

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weave type (?) red ground with multi-colored patterning (zig-zags at outside edges and lozenge at center); 2 vertical brown bands; braided cords at 4 corners

Panel, 20th century

Myanmar (Burma)

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warp and weft-float weave surfaces in unraveled red traded wool; warps discontinuous; native ramie foundation; red with thin blue stripes at various intervals; vertical white stripe trimmed in blue on approximately 3/4 of fragment

Shirt Fragment, 19th century

Taiwan

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paisley shawl, silk and wool, cream colored center with border in reds, blues and greens, fringed.

Shawl, 19th century

Scotland

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6 separate textile fragments cut on the diagonal from UR to LL; vertical bands of alternating white and maroon; geometric design in blue, green and pink on white bands; floral sprays in white, blue, orange and green on maroon bands. Woven fabric

Textile fragments, 19th century

Iran

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red wool belt woven with balanced weave and gathered at one end with thick braid; short gathered tie at opposite end

Woman's sash, 20th century

Tojolabales Weavers

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red woolen belt with green stripes; 8 braids at end end which are joined together and attached to a single braid in red and green

Woman's Belt, c. 1988

Tzotzil Maya

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white two-paneled shirt with extra woven attached sleeves with white, purple and red stripes; cotton panels sewn together with red thread; neck is pleated, with sleeve material pulling pleats together; cord hangs on both ends

Man's Shirt, 1980

Tzotzil Maya

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Navy tube skirt with sewn seam; 7" bands of pink, beige and navy striped designs near the top and bottom of skirt.; 3 bands of stripes and pattern in center area of navy and light blue.

Skirt, 1950

Laos

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Tightly woven tube skirt with seam; color is navy with 3 bands of stripe and pattern in off-white and pink; one band is 14: wide and the others are 3.5".

Skirt, c. 1950

Laos

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natural linen warp with tan and ecru silk weft producing wide stripes; weft is loosely woven to show linen warp between each silk shot

%C2%A9 Cowtan %26 Tout%2C Inc.

Windswept, 20th century

Cowtan & Tout, Inc.

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Handwoven with horizontal stripe. Brown & natural. Brown Striae

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Haitian Primitive Plain, 1968-1986

Larsen Design Studio, New York; Mill: Artisanat Haitien de Tissage Manuel S.A.; Producer: Jack Lenor Larsen, Inc.

Not on View
two-paneled red cotton shirt; red background is intercepted with five light green, white, light green, yellow, light green stripes

Saint's Shirt, c. 1965

Maya

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white cotton blouse; lace decoration applied on neckline, breast and sleeve edges; appliqued braid

Blouse, 20th century

Tzotzil Maya

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striped red blanket with knotted fringe at two ends; stripes are black and pink; stitched 4" wide bands at both ends with fringe; bands are green and white; seven central bands, approximately 18" long, of multicolored stitching in an X pattern in center of blanket

Blanket/ wrapper?, 20th century

Tangkhol

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long wide red woolen sash with blue/green tin stripes; 8 braids of fringe on each end, gathered together with one long braid

Woman's sash, c. 1970

Tzotzil Maya

Not on View
Striped faja mauve, red, green, blue, white, pink.

Man's sash (Faja), 1910-1920

Maya

Not on View
blue and white horizontal-striped skirt with a dark blue waistband; bottom trip (approximately 7") has patterns in red and white and black with lines, chevrons and diamonds

Thai skirt, 20th century

Daeng

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Two panels sewn together - stripes black, green, white, brown with two chevron stripes.

Man's wrapper, 20th century

Thako

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White background with red and blue weft stripes on both ends, macrame work at ends, with fringe in red, green, blue.

Woman's tzute, c. 1960

Poqoman Maya

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White background with blue weft striped sections on both ends and in the center; white twisted warp fringe on both ends.

Woman's tzute, c. 1960

Poqoman Maya

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jacquard woven; gold on black with sections in orange, turquoise and purple; repeating abstract flower and leaf pattern

Panel, 20th century

France

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jacquard weave with silk and metallic threads; black; large center field with partial gold borders; center field has repetitive pattern

%C2%A9 Shri Noman Abdin

Sari, 2004

Shri Noman Abdin

Not on View

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Jack Lenor Larsen%2C 1982

Tree of Leif, 1982

Jack Lenor Larsen

Not on View

%C2%A91974 Helena Hernmarck

Telephone, from Lunning Farm Triptych, 1974

Helena Hernmarck

Not on View
design of yellow and blue swirl pattern merged with a square grid pattern; four yellow circles of increasing size move from center to LLC

%C2%A91996 Lois Bryant

Escaping Time #1, 1996

Lois Bryant

Not on View
series of 4 textile constructions; fringe below; indigo with copper wire woven in

%C2%A9 Harriet Bart

Rivers of Silence: Knowing, Watching, Wailing, Wasting, 1978

Harriet Bart

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Sculptural piece in raw wool, natural color; in the center yellow, pink, ochre woven wool

%C2%A9 Dominic Di Mare

Untitled, c. 1965

Dominic Di Mare

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weave type (?) brown ground with large zig-zag patterning at outside edges and lozenge pattern at center; 2 vertical rectangular bands of patterning; worn pink border (wool?) at top and bottom; braided cords at 3 corners; string at 4th corner

Panel, 20th century

Myanmar (Burma)

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part of striped silk chasuble from a priest's vestment, Louis SVI design.; a flowing ribbon motif in metal thread both gold and silver over a cream background of heavy silk, much worn; a garland motive of delicate leaves in silver and pink flowers and knots of pink roses brocaded over the stripes completes the design

Chasuble fragment, 19th century

France

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green, red and gold; striped design at center; fringe on short sides; zigzag and diamond design at ends

Woman's shawl, 20th century

Tripura

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red with yellow orange, white; front: red and orange ribbed double weave small geometric design with supplementary discontinuous weft bordersl; two figures applied using white shells and buttons; back: red ribbed weave with small designs using supplementary discontinued weft; center, 1.25" band of smaller designs, red, yellow, orange, green; front and back all one piece; sides edged in a half round white braid forming shoulder strap; red wool pompoms with long cotton and synthetic tassels decorate sides and bottom corners

Kachin Bag, 20th century

Kachin people

Not on View
vertical pattern of stainless steel discolored blob-blue/ brown on stainless steel; finished by company as display panel

%C2%A9 Nuno Corporation %2F Karadaki%2C Reiko Sudo%2C 2000

Karadaki, 2000

SudĹŤ Reiko; Manufacturer: Nuno Corporation

Not on View
black woven band with long twisted strands on one side; three groups of four vertical elements with orange twisted wire ended in black feathers

Waiting, from the "Rivers of Silence" series, 1977

Harriet Bart

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variation of taquete in medium and dark blue; warp-end finish with braided tassels on each short end

%C2%A9 Nobuko Kajitani

Floor Runner, 1969

Kajitani Nobuko

Not on View
Knot at the top joins all the fibers together; fibers hang 1-1/4 in. and are split between two rods, 2-3/4 in. wide; fibers are woven on each side of the rods, securing them in place; fibers hang from that point with three areas of weaving which keep the threads spread in order; at the bottom they split and weave around two more rods are knotted and hang in fringe; lower rod is 7 in. wide, spreading the piece wider at its bottom

%C2%A9 Lenore G. Tawney Foundation

Untitled, c. 1960s

Lenore Tawney

Not on View
Purple silk cords woven into band; ends decorated with metallic threads, beads and twisted purple silk cords

Belt, early 20th century

Morocco

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One complete and one partial large band of scrolling poppies in green and pink with 4 bands of smaller flowers on metallic ground

Velvet fragment, 18th century

India

Not on View
weft-float weave bands with indigo-dyed cotton on native ramie foundation; two indigo bands surrounded and separated by thin grey bands; white bands between; three sides finished, one side cut; bottom indigo bands vary slightly. Woven fabric

Shirt Fragment, c. 1900

Taiwan

Not on View
Saddle bag; Hehbelik. Wool. Embroidered areas at top are decorated with squares, crosses, and triangles of red, green, brown, blue and white wool. Herringbone borders at top of black, brown, and white goat hair. Woven fabric and embroidery.

Saddle bag, c. 1890

Iran

Not on View
Brocaded weave in heavy wool & silk. Weft yarns are carried along selvedges. Vert. Rpt. 18". Orange, pink, red, purple. Persimmon

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Benin Brocade, 1962-1967

Larsen Design Studio, New York; Designer: Jack Larsen; Mill: Bolan Fabrics; Producer: Jack Lenor Larsen, Inc.

Not on View
2 horizontal fabric panels sewn together; black top panel with purple, maroon, green and yellow geometric designs at vertical edges; lower panel made up of horizontal bands with woven geometric designs; 14 cowrie shells with hanging elements consisting of strung beads and seeds and metal hammered into tubes

Dance skirt, 20th century

Myanmar (Burma)

Not on View
with love knot

Man's bag, Date Unknown

Kachin (Jingpho)

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metalloid aluminum lamé-silver; R side shimmering sheer silver gloss; both ends machine overcast-finished by company as display panel

%C2%A9 Nuno Corporation %2F Stainless Steel Gloss%2C Reiko Sudo%2C 1986

Stainless Steel Gloss, 1986

SudĹŤ Reiko; Manufacturer: Nuno Corporation

Not on View

Panel, 20th century

Not on View

Panel, Kangxi period, 1662-1722

China

Not on View

Panel, Kangxi period, 1662-1722

China

Not on View

Chair Covers, Pair of, Kangxi period, 1662-1722

China

Not on View

Fragment, 18th century

France

Not on View

Panel, 17th century

Italy

Not on View

Upholstery Samples, 20th century

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View

Upholstery Samples, 20th century

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View

Suiting Samples, 20th century

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View

Upholstery Samples, 20th century

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View

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